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A Revealing History of Women's Underwear (Interior)
A Revealing History of Women's Underwear. Catherine Michaelis. May Day Press, 2007.
Interior. This item includes illustrations depicting the evolution of women's undergarments. -
A Revealing History of Women's Underwear (t.p.)
A Revealing History of Women's Underwear. Catherine Michaelis. May Day Press, 2007.
Title page. This item includes illustrations depicting the evolution of women's undergarments. -
Party Dress (1)
Party Dress. Catherine Michaelis. May Day Press, 2004.
Constructed as an eight panel accordion fold, this book is dedicated to the artist's mother's skill at sewing. -
Party Dress (2)
Party Dress. Catherine Michaelis. May Day Press, 2004.
Constructed as an eight panel accordion fold, this book is dedicated to the artist's mother's skill at sewing. -
Party Dress (Case)
Party Dress. Catherine Michaelis. May Day Press, 2004.
Constructed as an eight panel accordion fold, this book is dedicated to the artist's mother's sewing skill. -
Party Dress (Panel)
Party Dress. Catherine Michaelis. May Day Press, 2004.
Panel. Constructed as an eight panel accordion fold, this book is dedicated to the artist's mother's sewing skill. -
A Revealing History of Women's Underwear (Upright)
A Revealing History of Women's Underwear. Cathering Michaelis. May Day Press, 2007.
Upright. This item includes illustrations depicting the evolution of women's undergarments. -
Hore beatissime virginis Marie: secundu[m] vsum ordinis Fontebralde[n]sis
The daughter of one printer and married to another, Yolande Bonhomme was one of the most prominent woman printers and booksellers in sixteenth-century Paris. Publisher of both ecclesiastical and secular books, she printed for the University of Paris. With Charlotte Guillard, she was one of the printers who sued the papermakers’ guild over the poor quality of the paper Parisian printers were required to use. This intimate book of hours was commissioned by Louise de Bourbon, Abbess of the Royal Abbey of Fontevraud. It contains interlinear manuscript notes in a tiny, elegant hand. There are only two known copies of this work. -
Workers ("hangers") outside on the loading dock of Penobscot Poultry, Belfast, ME, February 1988.
Workers (“hangers”) outside on the loading dock of Penobscot Poultry, Belfast, ME, February 1988
Cedric N. Chatterley Photographs
gelatin silver print -
Draft Proposal for Afro-American Studies Program (2)
In the fall of 1968, students pushed for Duke to establish an African and African American Studies curriculum. No such curriculum was established by faculty or administrators, and within months, students began to take direct action. Trinity College of Arts and Sciences, Office of the Dean records, 1911-2004 -
Draft Proposal for Afro-American Studies Program (1)
In the fall of 1968, students pushed for Duke to establish an African and African American Studies curriculum. No such curriculum was established by faculty or administrators, and within months, students began to take direct action. Trinity College of Arts and Sciences, Office of the Dean records, 1911-2003 -
Draft Proposal for Afro-American Studies Program (3)
In the fall of 1968, students pushed for Duke to establish an African and African American Studies curriculum. No such curriculum was established by faculty or administrators, and within months, students began to take direct action. Trinity College of Arts and Sciences, Office of the Dean records, 1911-2005 -
Draft Proposal for Afro-American Studies Program (4)
In the fall of 1968, students pushed for Duke to establish an African and African American Studies curriculum. No such curriculum was established by faculty or administrators, and within months, students began to take direct action. Trinity College of Arts and Sciences, Office of the Dean records, 1911-2006 -
Draft Proposal for Afro-American Studies Program (5)
In the fall of 1968, students pushed for Duke to establish an African and African American Studies curriculum. No such curriculum was established by faculty or administrators, and within months, students began to take direct action. Trinity College of Arts and Sciences, Office of the Dean records, 1911-2007 -
Draft Proposal for Afro-American Studies Program (6)
In the fall of 1968, students pushed for Duke to establish an African and African American Studies curriculum. No such curriculum was established by faculty or administrators, and within months, students began to take direct action. Trinity College of Arts and Sciences, Office of the Dean records, 1911-2008 -
Draft Proposal for Afro-American Studies Program (7)
In the fall of 1968, students pushed for Duke to establish an African and African American Studies curriculum. No such curriculum was established by faculty or administrators, and within months, students began to take direct action. Trinity College of Arts and Sciences, Office of the Dean records, 1911-2009 -
Draft Proposal for Afro-American Studies Program (9)
In the fall of 1968, students pushed for Duke to establish an African and African American Studies curriculum. No such curriculum was established by faculty or administrators, and within months, students began to take direct action. Trinity College of Arts and Sciences, Office of the Dean records, 1911-2011 -
Draft Proposal for Afro-American Studies Program (10)
In the fall of 1968, students pushed for Duke to establish an African and African American Studies curriculum. No such curriculum was established by faculty or administrators, and within months, students began to take direct action. Trinity College of Arts and Sciences, Office of the Dean records, 1911-2012 -
Draft Proposal for Afro-American Studies Program (11)
In the fall of 1968, students pushed for Duke to establish an African and African American Studies curriculum. No such curriculum was established by faculty or administrators, and within months, students began to take direct action. Trinity College of Arts and Sciences, Office of the Dean records, 1911-2013
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